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Lydia Ericsson Wärn *1994, SE Education 2016- 2022 Hfbk Städelschule Recent solo and group exhibitions include Issues Gallery, Stockholm (2022), Galerie Nordenhake, Stockholm (2022), Kulturhuset, Stockholm (2021) and Kunst- und Kulturstiftung Opelvillen Rüsselsheim (2021) contact: lydiaericssonwarn(at)gmail.com

Lub-Dub Reconceived

TITLE: Lub-Dub Reconceived DATE: October 2022 DESCRIPTION: Four foldable chairs and a radio MEDIUM: Sound, radio, chairs DIMENSIONS: Variable DURATION: 10’28” https://lydiaericssonwarn.com/wp-content/uploads/2022/10/Lub-Dub-Reconceived-Excerpt.mp3 Lub-Dub Reconceived excerpt

“Lub-Dub”

TITLE: “Lub-Dub” DATE: July 2022 DESCRIPTION: Three chairs in a circle with a radio on top of one of them MEDIUM: Sound, radio, chairs DIMENSIONS: Variable DURATION: 09’00” https://lydiaericssonwarn.com/wp-content/uploads/2022/09/Lub-dub-snippet-2.mp3 “Lub-Dub” excerpt

Touch Evidence

TITLE: Touch Evidence DATE: February 2022 DESCRIPTION: Painting portraying several figures of varying sizes based off of a photographic series taken in January 2022 called Human for Size MEDIUM: Oil and sequins on sewn canvas DIMENSIONS: 195 x 145 cm

Touch Evidence and Trace Evidence

TITLE: Touch Evidence and Trace Evidence DATE: February 2022 DESCRIPTION: Two paintings portraying several figures of varying sizes based off of a photographic series taken in January 2022 called Human for Size MEDIUM: Oil and sequins on sewn canvas DIMENSIONS: 195 x 145 cm and 195 x 165 cm

The Silent Witness

TITLE: The Silent Witness DATE: February 2022 DESCRIPTION: Painting depicting two hands on a dark background with white irregular dots which some has interpreted as snow, others as paint dollops or stars MEDIUM: Oil on aluminium DIMENSIONS: 25 x 50 cm

Trace Evidence 2022

TITLE: Trace Evidence DATE: February 2022 DESCRIPTION: Painting portraying several figures of varying sizes based off of a photographic series taken in January 2022 called Human for Size MEDIUM: Oil on sewn canvas DIMENSIONS: 195 x 165 cm

Text by Johanna Thorell

Text written by Johanna Thorell in conjunction with the show Phantasmatic Graft at Kunst- und Kulturstiftung Opelvillen Rüsselsheim, 2021 Using oneself as an object of study or the subject matter for a painting may have its obvious reasons, for what could be more at hand than one’s own body? Our body is always here, as […]